This in my opinion definitely Heyer’s best novel. In fact as some have said, it is not really a
“regency romance” at all but a “real serious piece of fiction.”
Heyer’s plot of a convenient marriage between a rich Cit and
an impoverished aristocrat has now been copied by many other writers in the
regency genre, but she did it first and with so much depth and reality without
sacrificing some of her usual wit and charm.
There is also good laugh out loud fun in the gloriously OTT Mr Chawleigh, Jenny’s merchant father who
is shrewd, vulgar, and warm hearted and kindly, but with awful taste in clothes
etc... with one exception. His love of fine china.
Heyer sets up a scenario where Adam’s late father has
dissipated the family fortune and to save his home and help out his mother and
sisters, he has a chance to marry money, the daughter of a wealthy merchant.
Jenny is plain and shy and at times awkward, and she is the friend of Julia,
the beautiful and foolishly sensitive daughter of Lord Oversley who is Adam’s
first love. Heyer takes us through their
first year of married life, the birth of their first child, Giles and Adam’s
lucky break when he makes some money speculating on the Stock Market, over
Waterloo…
There are ups and downs, occasional quarrels and both sides
have to adjust. Jenny grows to love
Fontley, the family country house and finds a useful role for herself there,
managing the house and gardens, visiting the tenantry and assisting Adam with
his plans for the farms. Adam begins to realise that Julia is too silly and
spoiled and over emotional to be much help to him in his life as a farming
landlord and that her faints and dramas would soon irritate him. And as he
generously says she would find him a dead bore as a husband because he would
not have been very romantic.
Heyer does have two other novels where there is a certain
similarity of theme, where 2 women friends are from different backgrounds and
are very different in temperament, but are rivals for the same man. in Devil’s
Cub. Mary Challoner, the pretty but not beautiful daughter of a Cit has had a
school friendship with the flighty Juliana Marling, who is pretty, dazzling,
flirty and form an aristocratic background.
Mary is one of the sensible heroines who win the heart of Lord Vidal by
being calm and practical, when he
abducts her. Juliana, who is Vidal’s
cousin, drives him mad with her dramatics.
She has fallen out with her admirer, Frederick Comyn, who then proposes
to the sensible Mary…to rescue her from a difficult state of affairs, where she
is almost forcedto marry Vidal, , and Juliana becomes jealous!
This mixing and matching all ends happily because the tone is
lighter In Heyer’s earlier books.
Similarly in Friday’s Child, Lord Sherringham, a good
natured but immature young man, is in love with Isabella Milborne a recognised
“Beauty” who is rather spoiled but essentially good natured. He asks her to marry him but she refuses -and
in a temper he swears he’ll marry the first woman he sees. He is partly driven by practical motives,
because he will not come into full control of his estates for another 2 years
unless he marries. So he marries the
young and naïve Hero Wantage, who is inexperienced in society, but is a neighbour
of Sherry and Isabella and has been childhood friends with both of them.
It isn’t quite the
same situation as Civil Contract, since in Contract both Jenny and Julia in
their ways genuinely love Adam... and are both a bit saddened by the fact that
their friendship is damaged by their feelings for him. Julia marries another man, whom she is very
fond of, and will probably grow to love him, because he understands of her
dramatic nature.
Whereas Isabella is
not in love with Sherry; she is fond of
him, and he of her, but she knows that her real love is for George Wrotham, his
friend, who is not very rich. So in the end, Sherry realises that he was never
really in love with Isabella, that he does love his wife and she loves him.Isabella
finally admits that she loves George, and marries him. It’s a happy ending, with a lot of
comedy. Sherry and Hero have their ups
and downs, settling into marriage, as Hero is so naïve that she makes a lot of
mistakes, unlike Jenny Chawleigh.
However, there is less realism in Friday’s Child, like most of Heyer’s
earlier works.
But Civil Contract is realistic and it’s none the worse for
that. We see the difficulties of
marriage, especially one where the couple don’t know each other well, and only
one of them is in love. We see the problems of Adam’s feeling “bought” by Mr
Chawleigh, but his development of a gradual affection and admiration for the
man. And his sadness at giving up the
life of a soldier which he loved and settling down to improving his estate. We see Jenny’s finding a satisfactory role in
helping to run Fontley, and make it comfortable and pleasant to live in, and preserving
some of the historical beauty. But she
also is at times bewildered by the ways and thoughts of her new family as when Charlotte
says that the Deverils love Fontley even for its very shabbiness, whereas her attitude
is that if you love a place, you want to make it better and smarter looking.
It is funny in places but Heyer is able to fit in the
realities of people’s psychology, the inconsistencies, the way we love and hate
at the same time... Or have moments of anger against the people we love…I love
the earlier stories, where Heyer tries out the situation of 2 friends and their
being rivals and being friends from different classes. And I feel that both
Friday’s Child and Civil Contract handle the situation beautifully in different
ways.
I hated Civil Contract when I was younger because it was 'sad' because Jenny loved Adam and he was no more than fond of her. But I've grown to love it for the wealth of detail in it, and I love Jenny's father, who may be vulgar, but he's a very genuine man, who loves his daughter and son in law
ReplyDeleteI never tried it for ages, but once I did in my 20s I was hooked...
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