Dickens had a troubled boyhood, due to his father’s financial
problems. John Dickens was sent to move
to the Marshalsea Debtors prison in 1824, because of his debts. As was the custom, his wife and family moved
in with him. Charles was forced to leave
school and get a job in a blacking factory, which he hated. He was humiliated
by having to take a menial job and be put on the level of working class boys.
He wasn’t in the factory long and he met a boy called Bob Fagin, who protected
and helped him, but so terrible was the experience to him, that he ended up
giving the name Fagin to the “villain” of Oliver Twist. After a while, John Dickens inherited some
money which gave him the ability to pay off his debts, but the trauma to his
son Charles was terrible. He never told
his family of his time in the factory.
After his time in the factory, he returned to school but his
mother, he afterwards remembered angrily, had wanted him to go on earning. After leaving school, he found a clerical job
in a law office but he became a shorthand reporter for Parliament. He was a hard working reliable fast and good at
the job. He reported on parliamentary debates. Then he began to write fiction and his first
work to appear was “Sketches by Boz”…published in 1836. At that stage, he met the Hogarth family, was
invited to their house and fall in love with Catherine, one of the daughters. Her father George was a music critic for a
newspaper.
Charles got a job as editor of Bentley’s Miscellany.
His next novel, appearing
in serial form, was the Pickwick Papers.
While working on this, he married Catherine, and they moved to a house
in Bloomsbury. He was very fond of his
wife’s younger sister Mary, who moved into their house to help Catherine with
her housekeeping, during her pregnancy.
Mary was young and unspoilt by marriage, and Dickens idealised her, though
he still loved his wife. And then she collapsed
one evening and died in his arms. He was
so shattered by his grief that he had to stop working on Oliver Twst, the novel he was writing at the time. He based the character Rose Maylie on Mary,
and also many other “pure young girls” in his fiction, sexless and greatly
idealised, owed something to his dead sister in law.
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