The family lived in the “artistic” part of London,
Bloomsbury, in Gower Street. At the Royal Academy he met other young painters
who were rebelling against the staid training and conventionality of the place.
In 1848 Millais, Dante Gabriel Rossetti, and Holman Hunt began
to formulate ideas for a new style of art and formed the Pre Raphaelite
Brotherhood. They wanted to back to the
simplicities of painting before Raphael….
They took themes from contemporary and other literature rather
than the Greek and Roman Classics... and from British and European history and
also from modern life. They rejected the idealistic traditions of the Academy, the use of a lot of "brown" in the colouring and the big heavy looking pictures. They tried to make their paintings as realistic as possible. Millais had a great appreciation of natural
beauty, and he also tried to ensure that his work was scientifically accurate. The Pre Raphaelites often painted on subjects
from Shakespeare...such as Ophelia’s drowning.
There were also paintings from Tennyson... and later on Millais worked
as an illustrator of Victorian novels, including drawing the characters of
Antony Trollope.
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